Finding Great Choral Music: The Search For Self-Published Music and ChoralNet Part 1

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Finding Choral Music

*** Many of the websites have changed in this series, and while the principles are still valid, the specific methods and links may no longer be relevant. However, the posts on composers and their compositions should still be quite relevant. ***

The Search

As a conductor I’ve enjoyed finding great choir music. As a composer, I’ve enjoyed connecting conductors with what I feel is great music. I love great choral music (yes I know that is somewhat subjective) and I personally do not really mind where I find a piece. There is so much great choral repertoire that is self-published these days, it is worth finding.

For a variety of reasons, more and more composers are moving in the direction of self-publishing. With distribution systems being created that allow composers to retain copyright it is not altogether surprising.

However, the search for great self-published repertoire can feel more inefficient, difficult, and tedious at times than just going to a trusted publisher or distributor.

 

This blog series is going to show some ways the search can be made easier, more efficient, and less tedious.

Post 1: Using ChoralNet Resources Part 1: The Composition Showcase
Post 2: Using Distributors of Self Published Music
Post 3: Using ChoralNet Resources Part 2: Forums and Announcements
Post 4: Recommended Composers and Compositions Part 1
Post 5: Recommended Composers and Compositions Part 2

I hope you find this very helpful!

Using ChoralNet Resources Part 1

Choralnet.org is a useful resource for choral musicians in so many ways. If you aren’t familiar with choralnet, it is a good time to get familiar. Choralnet also offers a host of resources in the area of repertoire, and in this blog series I will highlight three resources in two posts.

The Composition Showcase

The Composition Showcase is a place where composers have each placed several self-published pieces for perusal (and often listening) by conductors. A link is provided as to where the piece may be viewed, listened to, and purchased.

A major advantage of the Showcase is that it brings together sample pieces by many composers into one place. One can get an idea about the composer and his/her work before spending time on their personal website.

The Showcase, while very useful (I’ve found pieces for use here), can be a challenge to navigate, and even find for some. Here I’ve listed information about the Showcase, and ways to use the Showcase with maximum efficiency.

Information

How many composers have music on the Showcase? About 100 and growing.
Can I view a sample pdf file of the pieces? Yes, every piece has a perusal file.
Do the pieces include recordings? Often yes, but not always. In this regard it is similar to many publishing and distributing websites.
Can I purchase music on the Showcase? No. With each piece there is a link to where/how it may be purchased.
What types of choir voicing is represented? Wide variety: SATB, men, women, treble, unison, etc….

Using the Showcase

Access

To access the Showcase from http://choralnet.org/ click on the Resources tab at the top of the page. Once there, select the Repertoire link. When this opens you will notice a tremendous amount of resources available. Next select Getting Choral Music. When this tab opens, the ChoralNet Composition Showcase will be the top link, click there.

Navigation On the left of the Showcase are lists sorted by voicing, season, and a composer index. The lists have grown to be quite long, so searching for pieces can feel tedious. I recommend a couple of strategies.

Strategy One: Use the composer index.

In many ways the composer index seems a more efficient way to search (especially if you are looking for SATB music) than the complete list. Here the pieces of each composer are listed together and include title and voicing. Click on the titles that sound interesting, which will open in a new tab. I recommend opening no more than one or two pieces per composer. If you find that particular piece appealing, go back for more titles from the same composer, check out their personal website, contact them, etc….

Strategy Two: Search the silver platter awards list.

At the bottom of the Composition Showcase page is a heading titled Community Features. Under this heading, the second link is the silver platter awards. These are pieces from the Showcase that have been selected for special recognition due to quality, accessibility for various scenarios, etc…. Pieces are selected on a varying schedule and highlighted on the Choralnet front page for several days. This list is therefore vetted by someone other than the composers themselves, and may direct a conductor to high quality works. Again, if a particular piece is appealing, it is worthwhile checking out other music by the composer (both on the Showcase, and on their personal website).

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While a bit complicated to use, the Showcase can prove to be a valuable resource to conductors looking for great music. Using the above strategies can greatly increase the efficiency in the perusal list. I will highlight a few composers from the Showcase on a later post.

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Top five choral pieces from 2014

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2014's Top Choral PiecesI think a list of the best selling pieces by a composer can be quite useful to conductors and performers. Why? Because the list is tried and true. All the pieces on such a list have been of sufficient interest to people to prompt purchases and performances.

Here are my top five best selling choral pieces from 2014.

1. My piece, “My Prayer,” for a cappella TTBB choir.
2. My spiritual, “Soon One Day,” for a cappella SATB choir.
3. My second coming spiritual, “Are You Ready?,” for a cappella SATB (div.) choir.
4. My arrangement of “Away In A Manger,” (using the tune, cradle song) for SATB choir and piano.
5. My choral blessing, “The Lord Bless You,” for a cappella SATB choir.

 

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New recording for “One Thing Have I Desired”

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I have a new demo recording by Matt Curtis of Choral Tracks of my piece “One Thing Have I Desired.”

I will introduce the piece to the choral community at large in late summer/early fall of this year, but it is available for perusal and purchase now.

I will share more about the piece in a later post, but suffice it to say that Psalm 27:4 is a great reminder and encouragement to keep the right focus in life.

May you find joy in God’s presence today!

One thing have I desired of the Lord,
that will I seek after,
that I may dwell in the house of Lord
all the days of my life,
to behold the beauty of the Lord,
and to inquire in His temple. (KJV)

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Beginnings of a new piece from Psalm 119: Initial workings and choosing a text

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waterfall2A few weeks ago, I began fleshing out some ideas for a new piece for SATB choir and piano. I’d been playing around with some accompaniment motives that reminded me of running water set over a modal harmonic scheme. A general idea for a choral piece centered on this theme took shape in my mind and I started thinking about text.

One of my favorite portions of scripture is Psalm 119. However, I had never set any of the 176 verses to music. I turned to the passage and read various texts, settling on the intensely poetic and romantic text of verse 136.

Rivers of waters run down mine eyes, because they keep not thy law.

In Psalm 119, the focus is on God’s character as expressed through His law, statutes and judgments. It also includes statements about our relation to His law and our desire to walk in the ways of God. As the chapter extols God’s law as the standard for living, it is no surprise that the psalmist includes emotional responses to the breaking of God’s law he at times witnessed around him.

Sometimes I think God’s law gets unfair scorn and treatment in the world today. Yet when examined, even the secular world cannot but help acknowledge the incredible fairness and justice inherent within God’s ten commandment law.

The first four commandments deal with our relationship with God and are summed up by what Jesus called the greatest commandment (Deuteronomy 6:5), “love the Lord your God with all your heart.” The last six are summed up this way (Leviticus 19:18): “love your neighbor as yourself.”

While the Bible states that the law can’t save anyone from sin, it is the standard presented for living. I think God’s law acted out is perfect. Imagine a world where you were always safe, everyone was trustworthy, everyone was looking out for each other. You would never have to lock anything to prevent stealing. You could walk in the darkest alley without fear. Your children would always be safe. It would be heaven on earth. Perhaps this is why David wrote what he did about crying great tears over the breaking of God’s law.

Here are the 10 commandments, summarized by me (you can read them in Exodus 20):

1. Have no other gods before God.
2. Don’t make, have, worship, or treat anything as an idol.
3. Don’t take the Lord’s name in vain.
4. Keep holy God’s Sabbath day. **see note at end **
5. Honor your father and mother.
6. Do not murder.
7. Do not commit adultery.
8. Do not steal.
9. Do not lie.
10. Do not covet.

I’ll keep you posted on the progress of the piece.

** This command indicates that God is the author of the 10 commandments and gives the reason He should be worshipped. Also, interestingly, this day in the Bible is Saturday, not Sunday (which is generally kept by the Christian world). Christ’s resurrection is often cited as a reason for the Sabbath to Sunday switch, but no such justification is given in the Bible. Historically, the first verifiable examples of Sunday keeping are not found until the 2nd century (mostly towards the end, meaning over 100 years after Jesus ministry), and Sabbath keeping is historically verifiable in the Christian world as being in the strong majority until about midway through the 4th century. **

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Surprise Most Popular Piece: My Prayer

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I have been surprised that my most popular piece from 2014 was “My Prayer” for a cappella men’s choir. While I love the piece, and it is one with a text that is very personal for me, I honestpath in valy didn’t expect it to be at the top of my composition sales.

I wrote the text and piece together as an expression of faith in God’s leading even when in tumultuous times. God has promised to never forsake us and to guide us throughout our lives, and I believe He wants us to claim and cling to His words to us. Periods of trial, sorrow, and uncertainty come to all, and perhaps some have resonated with the promise of God’s leading, and thus this piece stands as the most popular.

May God bless and lead you also!

Psalm 32:8: I will instruct thee and teach thee in the way which thou shalt go: I will guide thee with mine eye.

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New piece for four violins: Isaiah 40:31

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Yesterday evening, June 17, I completed a piece for four violins titled, Isaiah 40:31. There is still editing to be done, but I finished entering the notes into Sibelius today and thus can present a midi recording of the piece. The recording reflects no dynamics or articulation, as that is not yet entered in. However, in the next week or so, the piece should be completely edited and presentable in a Sibelius manuscript. Until then enjoy the midi recording and meditate on the words of the prophet:

But they that wait upon the Lord shall renew their strength: they shall run, and not be weary; and they shall walk, and not faint. Isaiah 40:31

Isaiah 40:31 (midi)

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Soon One Day

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In the Spring of 2009 I was taking some time to work on composition projects. I had contact with a friend from college, Katrina Koch, who was leading choirs at Indiana Academy (a private Seventh Day Adventist high school). She asked if I was still composing, I emailed back a yes. She mentioned looking at one of my pieces. Inspired, I experimented, prayed, and developed “Soon One Day” in two or three focused days. I wrote the words and piece with certain constraints in mind: glory to God first (which is always the aim I strive for); accessibility in range, tessitura, and vocal demand for teenage voices, yet have challenge, interest, and appeal for more mature voices and advanced choirs; SATB without divisi; melodic focus with basses often carrying the melody. I told her about the piece and offered for her to look at it and perform it if she wished and it was accessible to her group of developing singers. She liked the piece and so I sent it to her with this dedication: for Katrina Koch and the Indiana Academy Choir.

In 2012, Bonnie Klee Roberts, and the Naperville Men’s Chorus of Illinois, commissioned a TTBB version of “Soon One Day” to be used in their then upcoming 25th anniversary concert. The TTBB version was premiered in a joint effort University of Illinois Varsity Men’s Glee Club, Dr. Barrington Coleman conducting as a finale to the celebration of the NMGC organization.

For me, “Soon One Day” has been blessing in both SATB and TTBB versions. They are expressions of my faith and desire for the soon return of Jesus, and hopefully will be a blessing to you also.

Here is a recording of a performance by Andrews University I Cantori, November, 2011 (SATB version).

to God alone all glory is given

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